Damien Davis
It all started for me when I was a young lad in middle school. Obsessed with BMX bikes, it was all I talked about. Most of my friends had nice bikes right out of the bike store. Not me… I had custom wheels, bars, cranks, the list goes on. Constantly swapping parts, sanding and painting, always keeping it clean. Though I still rode religiously and did plenty of stupid stunts. Customizing the bike was my favorite part. One day I was at a friend’s house digging holes and piling up dirt to make ramps. When my homie's sister pulled up in her slammed dodge Dakota, right behind her boyfriend driving a slammed S10 rocking a 30-color graphic paint job. It was at that moment the MiniTruckin' bug bit me. I remember sitting in class looking through MiniTruckin' magazines amazed. Not understanding how something could drive that low, ha ha. It quickly became an obsession.
The moment I got my license and my first truck. The bike started collecting dust. Before graduating high school, I had customized, dropped, then bagged my truck. Making myself well known in my small town for being “that guy” with the cool truck. Joining a local car club, hitting up car shows and stereo competitions. Keeping photo albums of all my trucks and mods using disposable cameras. I never had any aspirations to do photography on any level other than just memories for myself. That changed over time the more shows I attended. Stopping ay Walmart and scooping up a handful of disposable cameras and putting them in a zip lock to carry in my truck. I would roam shows and snap photos. Go back to Walmart and have duplicates developed and sift through hundreds of photos. Critiquing myself, throwing photos away, keeping the good shots for my albums. Getting tired of that process, I broke the bank and bought my first camera.
After years of hobby shooting at shows. I had all but lost hope of ever having a true purpose for my work. I was introduced to Rich Waterman with All Time Low Magazine and shot my first show for him, Severed in the Midwest 2016, and got it in print. At that point I was addicted. Plunging myself into the show scene and shooting shows across the country. Branching into other publications such as Street Trucks Magazine, honing my skills, and gaining more hands-on experience in the magazine world. Expanding my portfolio into multiple magazines, video, social media, and starting my own LLC Devilboy Media. All while working as a full-time logistics manager in the St. Louis, Missouri area. Never quite having enough income or support to pursue media full time. A lot of hustle, money out of pocket, working for free. Still unsure what my purpose was and what my next steps needed to be.
Standing in a random parking lot during an afterparty cruise night in my hometown. Camera in hand standing beside one of my best friend's bagged and bodied Minitrucks. A random dude named Damon Bounds introduced himself, asking if I did photography. I responded with, “Yeah, I dabble in it a bit.” He explained the Revheads dealership he was starting and that he was needing a photographer. After chatting a bit, we went our separate ways. Several weeks had passed and I was dropping video and photo footage from the show I attended that weekend. Damon saw my video and decided that’s the guy he wanted to work with. He searched and contacted people that were at the show looking for the guy making videos for the show. Everyone said… Oh, that’s Devilboy!!! Not knowing who the hell Devilboy was, the search continued until he tracked me down on my business page inviting me to visit his dealership and shoot a car for him. After a great experience and him absolutely loving the results. The rest is history and I’ve been working with Damon and his wife Melissa Bounds ever since.
Going from a few shoots a week to literally blowing off my full-time job to do dealership stuff daily. I continued to step farther away from the car show scene and the logistics career. Finally landing a full-time job at Revheads and leaving the warehouse. Revheads being my primary source of income and shooting shows on the side. Primarily partnering with show promoters and Street Trucks Magazine. Watching the previous folks attempt the resurrection of MiniTruckin' Magazine and drop the ball. I continued plunging myself into the magazine world working with publications such as East Coast Style, Local Ridez, and Gauge Magazine. Just trying to continue pushing my work out to print any way I could. Working with Revheads' launch of their clothing brand Threads by Revheads. Traveling to events with them and setting up their gigantic stage trailer. I started to see the drama unfold with the old MiniTruckin magazine leadership. Photographers and content creators announcing the end of their association with the publication. Hundreds of people getting ghosted and their money kept with no magazine delivered. It was such a waste of the MiniTruckin' name, and I continued to get frustrated and saddened by the unfortunate outcome. Melissa Bounds noticed the social media attention and asked me if I could run the magazine. Looking up and finding an abandoned trademark. I told her I could make 10 phone calls and have the content, hell yes, we could do this. The ball started rolling and behind the scenes details began to solidify.
Now here we are, officially launching the magazine with the support and knowledge it deserves. Assembling an amazing crew of like-minded, work-ethic-driven folks that want this to succeed. Melissa Bounds driving the bus with me directing traffic. Beyond happy with the results and still thinking to myself daily, this isn’t real. I left a lot of detail out of this short biography but wanted to give you the quick and dirty version to help explain how I am standing here today. Support from Revheads, the scene, friends that love me, and all the amazing photographers and contributors. I am blessed to have this team and cannot wait to give this magazine the support it deserves. Read on my friends!